burn it down

Setlist 6-4-2017

This week was Pentecost Sunday.  Our songs were gathered with this in mind.  Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Fall Afresh by Jeremy Riddle

Lifted/Lifting by Jameson McGregor

Pulse by Jameson McGregor

Burn It Down by Jameson McGregor

Wayward Ones by The Gladsome Light

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Fall Afresh: We sang this song to step into the Pentecost story by confessing a desire for the Spirit to indwell our community and set us on the way of Christ.

Lifted/Lifting: We sang this song to look over our shoulder at last week's songs.  This is what we said about Lifted/Lifting then: This song is about the continual coming-to-understand of the Christian faith.  Any idea that we grasp about who God is can only serve as a placeholder for a deeper understanding of God as we are further renovated into the presence of Christ on earth.

Pulse: This song talks about the Spirit of Life indwelling all of creation, and raises a plea that God would reconnect our hearts to this Spirit.  Wrapped up in this plea is a desire to be transformed into people who work alongside the Spirit in spreading the work of Christ's redemption throughout the world.

Burn It Down: This song is a petition for the Spirit to use the people of God to tear down systems of oppression.

Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things.  First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this.  Second, Christ has given Himself for us despite our brokenness.  We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 1-29-2017

This week was the fourth Sunday of Epiphany, and Josh's sermon text was the Beatitudes.  Our songs were gathered at the intersection of these two themes.  Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

There's A Wideness In God's Mercy by Jameson McGregor (adapted from F. Faber)

All the Poor and Powerless by All Sons & Daughters

Future/Past by John Mark McMillan

Burn It Down by Jameson McGregor

Mystery by Jameson McGregor (adapted from Charlie Hall)

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

There's A Wideness In God's Mercy: Through the Beatitudes, the fourth week of Epiphany allows us to consider the upside-down logic of the Kingdom that Jesus came proclaiming.  Those who are truly blessed do not necessarily look like it when viewed through the lens of prosperity that our culture has offered us.  This song carries a similar theme in that it proclaims God's love to be broader than our minds can handle, and God's strictness to be much more malleable than we expect. 

All the Poor and Powerless: We sang this song to celebrate God's presence among the poor, the powerless, the criminal, the stranger, and all of those who feel hopeless or abandoned.  This song serves as a reminder to us of where God stands in conflicts between the powerful and the oppressed, which also serves as a reminder of where we are to stand if we are to be where God is.

Future/Past: This song charts the distance between who God is and who we are, yet notes that God has transgressed this division, drawn near to us, and called us friends.  We offer God nothing that God doesn't already have--God has nothing to gain from drawing near to us--yet it is fundamental to who God is to welcome us strangers into God's presence.  In our weakness, God calls us blessed. And we would do well to remember that God calls all sorts of the cast-out, rejected, and afflicted blessed as well.  With that in mind, if we are to claim to be the people of God, we are bound to offer the divine welcome to all of those people as well.

Burn It Down: This song was originally written for Pentecost 2016.  It is a petition for the Holy Spirit to set a fire on our tongues to speak the truth to power for the purpose of standing alongside the parts of God's creation (creatures and otherwise) that are trampled or taken advantage of.

Mystery: We sang this song to look over our shoulder at last week's songs.  This is what we said about Mystery then: In coming to know the Person of Jesus, we encounter a multi-faceted Mystery.  This Person who is infinite, yet finite; divine, yet human; weak, yet strong; defeated, yet victorious; comes to us and calls into question all we think we know to be true about the world.  Jesus' identity as Mystery is one of the primary reasons we so desperately need Epiphany to renew our holy curiosity every year--sometimes we forget that we don't have Jesus figured out.  This song takes the Mystery of Jesus and champions it using the "formula" of Christ has died//Christ is Risen//Christ will come again, as the chorus.  The verses are about the way that Jesus' mystery status meets us in our own lives from without.  Here Jesus is the answer to our problems: the sanity and clarity that enters our dissonance, and the evergreen living peace that enters our conflict.  But Jesus is also the question to our assumptions about the world: the Eternal Word who is brought low, the cup of salvation that is poured out, the Embodied Love that is broken, and the Trampled Redeemer that is raised and freed.  Taken together the verses and chorus of this song champion Jesus as our source of hope when things seem irredeemable--because we learn that Jesus is not limited by what we expect of the way the world works.  So in the bridge section, we celebrate the death and resurrection of Jesus as a symbol of holy subversion to the power structures of the world, and take up singing about this subversion as our own way to subvert oppressive systems of power. 

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 7-17-2016

This was the ninth Sunday after Pentecost, and our songs were gathered with the weight of systemic violence in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

There by Jameson McGregor

There's A Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

Up On A Mountain by The Welcome Wagon

Burn It Down by Jameson McGregor

Be Thou My Vision

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

There: We sang this song to begin our time together proclaiming God's transcendence.  God was there before there was anything (including the kind of pain that we've been living in the midst of in a particularly acute way for the past several weeks), God is there now, and God will continue to be there after the last star burns out.  This song focuses on the fact that God stands above and beyond any source of pain or anxiety, and so there is always hope--God will not be toppled by even the most terrible evils we experience in the world.  This transcendence is a part of what we can say about God, but it is thankfully not the only thing we can say.  If it were, this transcendence would mean little to nothing for us in the midst of the world's chaos.  In truth, God has chosen to be involved in what God has made, interacting with creation with the most absolute of loves.  This love from-without is the source of our hope.

There's A Wideness in God's Mercy: We sang this song to meditate on God's mercy.  For the past  several weeks, we have been bombarded with news of various horrific kinds of violence.  Humans are particularly skilled at finding ways to reject the divine image in one another.  With what I know of God from Scripture, my assumption is that God is deeply grieved by our violence, and if we had one of the prophets writing today, God would most certainly talk at length about how God wanted to be rid of us.  And rightfully so.  But God's not going to rid Godself of us.  Because that's not who God is.  The Noah story shows us this quite clearly.  God wanted to start over, and started that process, then realized how terrible that was--how deeply painful that was--and resolved never to do that again.  Instead, God decided to fix things from the inside, entering into the story to suffer our violence and conquer it with love.  That conquering is accomplished, but still unfolding.  It's horribly slow for my taste, but it's there nonetheless.  

Up On A Mountain:  We sang this song to contrast There, and to proclaim the work of Jesus.  Up On A Mountain contrasts There because it focuses on God's immanence.  God is not just "out there," removed from the weight of the violence of the world.  Instead, God came down low and entered our mess, experiencing anxiety, fear, betrayal, suffering and death.  And so, we aren't alone.  Jesus has shared our experiences, and has sent the Spirit to carry us through the best and worst parts of life.

Burn It Down: This song is a plea for the Spirit to shape us into people who can tear down systems that impede the hope of Christ.  These systems are legion--we could think of the rampant racism and xenophobia that we encounter so often through our TV's, phones, and laptops, or perhaps the ways that culture elevates the voices of particular kinds of people, while silencing the voices that have not been endowed with the privilege of assumed legitimacy, on and on.  Yesterday, Amy preached an incredibly brave and prophetic sermon on sexual violence.  When we talked about sexual violence during Lent, one of the driving themes was that the Church's silence on that issue in some way authorized the prevalence of sexual violence that plagues our culture, and that this silence was sin because it did not mirror in any way the response of Jesus to affronts on the dignity of a human person.  So we sang this song in order to petition the Spirit to shape our lives and words into firebombs that target the system of sexual violence that we are living in. 

Be Thou My Vision: We sang this song to close every liturgy during Lent, which was also when we were first wrestling with our place within a culture of sexual violence.  We sang Be Thou My Vision today in response to Amy's sermon and the Litany of Commitment we read together as a way of acknowledging that we rely on God to shape our imaginations to enact change within systems of violence.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 5-15-2016

This Sunday was Pentecost, the day that we remember the coming of the Holy Spirit as the initiator of the movement we now call the Church.  Our songs were gathered with this in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Holy, Holy, Holy

How Great Thou Art

Fall Afresh by Jeremy Riddle

Burn It Down by Jameson McGregor

All Creatures of Our God and King

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here's one from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Holy, Holy, Holy: We sang this song to begin our time together singing about the particularity of God, as we acknowledge the Spirit as part of the Trinity for the first time in the Christian calendar this year.

How Great Thou Art: We sang this song to focus on our worship of God in three particular realms--God as Creator, God as Savior, and God as Transformational Presence (Spirit).  In order to do this, we rewrote the third stanza to read, "O Breath of Life, when I recall the moment//You came down low to dwell within our midst//You tune my eyes to see Your subtle movement//You draw us forth, to all begin again."  The structure of this song is essentially three passes at pointing out something about God, and responding with praise, the ever-simple "How great Thou art."  When we sing this together, we are simultaneously expressing praise in that moment, and also learning the proper response to coming into contact with the activity of God.

Fall Afresh: We sang this song to engage the Pentecost moment through considering our own need for the presence of the Spirit among us, as we battle against our own complacency regarding our own transformation into people who are more like Jesus.

Burn It Down: In the book of Acts, as soon as the Spirit comes on the scene, walls begin to fall down.  Walls that took the form of communication barriers, government powers, particular understandings of the story of God and the people of God, prejudices the fledgling church had absorbed from their culture, and probably many more.  This kind of destructive behavior is also evident in the prophets of the Old Testament.  By the power of the Spirit, they were able to speak truth to power--words that amounted to firebombs against the walls that had been built to make the religious feel pious, good, and safe, while simultaneously keeping the poor and cast out from engaging the Hope of God.  It is safe to say that the Spirit is in the habit of knocking down walls that would hinder the Gospel and keep Hope from people who need it most.  This song is about this "destructive" side of the Spirit, and ultimately petitions the Spirit to fold us in to this rebellion and use us to knock down these walls.

All Creatures of Our God and King:  We sang this song to look over our shoulder at last week's songs.  This is what we said about All Creatures of Our God and King then: We sang this song to champion Easter hope for all of creation--God did not just do something significant for humanity in the life, death, and resurrection of Jesus.  Everything is different now, and the whole of creation is now headed for its own Resurrection.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM