Setlist 8-28-2016

This was the fifteenth Sunday after Pentecost, and our songs around the theme of power from below.  Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

There's a Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

All the Poor and Powerless by All Sons & Daughters

House of God Forever by Jon Foreman

God of the Dead by Seth Woods

Heart Won't Stop by John Mark McMillan

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

There's A Wideness in God's Mercy: We sang this song to begin our time together by thinking about the wideness of God's mercy and the breadth of God's love.  More specifically, in terms of the theme that unites this week's songs, the fact that our deficiencies are precisely what place us in the path of God's love.  Despite our tendency to attempt to construct boundaries around the love of God, the love of God transcends our limitations and reaches those who deserve it least by even the most generous human standards.

All the Poor and Powerless: This song continues the theme from There's A Wideness in God's Mercy, underscoring the fact that what we might consider as a hindrance in life--poverty, loneliness, heartbreak, etc, actually postures us to encounter and worship God in a way that is nearly impossible in the absence of adversity.  God is for the socially less-than when no one else is.  

House of God Forever: This song uses the language of Psalm 23 to think of God's provision for the people of God--a provision rooted in a power that is outside of any of us and is not determined by our own ability.  We sang it to practice locating our hope in God and not in ourselves.

God of the Dead: This is a song by Seth Woods, a guy who used to play music at ubc every now and then.  He has an album of songs that were recorded at ubc (by Jon Davis, who is still around) that I came across a few months ago.  It's $7 and it's great.  So buy it.  I'm drawn to this song for the assortment of images it associates with God that essentially amount to names for God (God of the dead, God of the breathing again, God of the earth, God of the grave, God of the rising and the raised......I would go on, but you can just click the lyric link).  These names aren't super familiar to us, and that's important.  Because they offer us fresh vantage points from which we might look at God.  And in contrast to verses that offer new names for God, the chorus is a petition that God would breath our new names.  That God would teach us who we are in a fresh way.  That we would hear names that were stripped away of all the things we build up for ourselves in the identities that we construct. 

Heart Won't Stop: We sang this song to look over our shoulder at last week's songs.  This is what we said about Heart Won't Stop then: We sang this song to begin with the confession that there aren't any barriers that God is unwilling to transgress to reconnect with God's children.  

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 8-21-2016

This was the fourteenth Sunday after Pentecost, and our songs were gathered with God's pursuit of reconciliation in mind.  Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Heart Won't Stop by John Mark McMillan

Be Thou My Vision

All Creatures of Our God and King

Wild One by Jameson McGregor

Future/Past by John Mark McMillan

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Heart Won't Stop:  We sang this song to begin with the confession that there aren't any barriers that God is unwilling to transgress to reconnect with God's children.  

Be Thou My Vision: With this God of relentless love and grace in mind, we sang this song to ask that God would be our vision, wisdom, security, and hope, forming us into people who love relentlessly as well.

All Creatures of Our God and King: We sang this song to proclaim that God is Lord of all creation, and that God thus cares for all of creation intimately.  Keeping the petition from Be Thou My Vision in mind, this song also functions as a charge to ourselves to care intimately for all of creation.

Wild One: We sang this song to worship the Unbound God. These words serve as a pointed reminder to ourselves that we cannot control God and that God's love is not limited to the things or people that we love.  God is active and on the move in the world around us, telling a dynamic story that's better than the best kind of story we could think up.

Future/Past: This song is a further response to the theme ofWandering. Beyond God's faithfulness, it traces several layers of God's grandeur, and notes the surprising fact that God has called us friends.  The divine-human relationship is an unequal partnership.  It's the kind that leaves the lesser party (us) wholly caught up in the undeserved grace of God to allow us to enter into a project of which we are not worthy.  God stands before us and beyond us, and somehow still stands with us.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 8-14-2016

This was the thirteenth Sunday after Pentecost, and our songs were gathered with God's faithfulness to us despite our brokenness in mind.  Or, taken from the vantage point of Josh's sermon, God's making wine out of wild grapes.  Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me atjamie@ubcwaco.org.

Songs:

Wandering by Jameson McGregor

Future/Past by John Mark McMillan

Holy, Holy, Holy

Breathe For Me  by Jameson McGregor

Pulse by Jameson McGregor

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Wandering: This song takes up the theme by noting our tendency to attempt to manipulate the movement of God for our own purposes.  Time and again, we go through life as though God is a tool that we can use.  We don't always do this on purpose, but it's a posture we slip into rather easily.  This posture presents itself so easily because God has partnered with humanity to tell a story.  God could no doubt tell this story by other means, so it's a baffling mystery that time and again God chooses to be faithful to us when we are not faithful to the calling of God.  Or maybe it's not mysterious at all.  Maybe that's just how God is.  

Future/Past: This song is a further response to the theme of Wandering. Beyond God's faithfulness, it traces several layers of God's grandeur, and notes the surprising fact that God has called us friends.  The divine-human relationship is an unequal partnership.  It's the kind that leaves the lesser party (us) wholly caught up in the undeserved grace of God to allow us to enter into a project of which we are not worthy.  God stands before us and beyond us, and somehow still stands with us.

Holy, Holy, Holy: We sang this song to step further into the train of thought to meditate upon and proclaim God's holiness.  God's faithfulness to us is baffling in light of God's holiness, but this surprising grace itself becomes a central point of what it means for us to say that God is holy.

Breathe For Me: This song was going to be an interpretation of Breathe on Me, Breath of God, but it ended up without a single line from that hymn.  So it is its own song.  It is in many ways a prayer that acknowledges the parts of the human experience that make us bad partners in God's project, and asks God to step in and do what we cannot--to transform us into vessels of Godself who carry out God's project faithfully.  It's an admission that we can't do this on our own--that we can't will ourselves into capable partners in God's redemption project.

Pulse: We sang this song to look over our shoulder at last week's songs.  This is what we said about Pulse then: We sang this song to look over our shoulder at last week's songs.  This is what we said about Pulse then: We sang this song to be reminded of the gift of life that God has given to all of creation, and to lament our tendency to ignore the dignity of this gift in people who are different than us.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 8-7-2016

This was the twelfth Sunday after Pentecost, and our songs were gathered with anticipation of the Kingdom in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Chariot by Page France

Amazing Grace by Citizens & Saints

Pulse by Jameson McGregor

Bonfire by Jameson McGregor

Wayward Ones by The Gladsome Light

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Chariot: This song embodies the longing for God to break into history and deliver the distinctively untragic end to the story God is weaving.  The history of Christianity has been marked by a constant sense of waiting on this moment, and this waiting is significant in at least two ways.  The first is direct in that we await the return of Christ and the resurrection of the dead.  The second is indirect in that this waiting for God's redemptive project to be completed colors the way we move about in the world--namely, we should allow the vision of the Kingdom in fullness to be the pattern that we live by.  We don't have to wait for the Kingdom to come in fullness to live as though it's already here.  Because it is here--or can be-- among those who have been shaped by the story of Jesus.

Amazing Grace: This song engages our anticipation of the fullness of the Kingdom of God by reflecting on the way that God's rule has already been present in our lives through God's grace, and it also looks ahead to the joyous abundance of the Kingdom (when we've been there ten thousand years...). 

Pulse: We sang this song to look over our shoulder at last week's songs.  This is what we said about Pulse then: We sang this song to be reminded of the gift of life that God has given to all of creation, and to lament our tendency to ignore the dignity of this gift in people who are different than us.

Bonfire:  This song traces the vast difference between what it is to be God and what it is to be us, and looks forward to the fullness of the Kingdom where the pain brought by this difference is mended.  It also notes the fact that the Kingdom breaks through even now and undermines the fears that we have called our refuge. 

Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things.  First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this.  Second, Christ has given Himself for us despite our brokenness.  We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 7-31-2016

This was the eleventh Sunday after Pentecost, and our songs were gathered with God's gift-giving in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Death In His Grave by John Mark McMillan

Come Thou Fount

House of God Forever by Jon Foreman

Pulse by Jameson McGregor

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Death In His Grave: We sang this song to begin our time together by singing about the gift that God gave to humanity in the death and resurrection of Jesus.  In the Incarnation, God gave Godself to the world. In the Crucifixion, Jesus gave Himself for the world. In the Resurrection, God gave Hope to the world.  And through all of this, God gave us a story that we now carry that critiques the assumptions we have about love, life, sin, death, and the divine-human relationship as a whole.

Come Thou Fount: We sang this song as a petition that the Spirit would tune our hearts to embrace and be grateful for the many gifts that God gives us, knowing that it's difficult to get this right even on our best days, and knowing that we have wandering hearts that threaten to skew the way we think about where our gifts come from.  Also, we sang it to make a blanket statement of the "Here I raise my Ebenezer" line--an Ebenezer is a monument of sorts that signifies the gift of God's active presence that has carried us through every chapter of our lives.  (I am aware that I explain "Ebenezer" pretty much every time we sing this song, but let's not pretend that isn't an obscure concept.  If you already know what it means, that's great, but many people probably don't.)

House of God Forever: This song is more or less an arrangement of Psalm 23, and we sang it to voice the gift that God gives us in providing for our needs.  This makes it possible for us to let go of our anxieties.  I am personally not good at acknowledging this gift--worrying comes quite naturally to me and I do it all the time.  I have a feeling I'm not the only one.  We sang this song to put voice to the truth that God is our provider and comforter in hopes that we would embrace this idea a little more.

Pulse: We sang this song to be reminded of the gift of life that God has given to all of creation, and to lament our tendency to ignore the dignity of this gift in people who are different than us.  

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 7-24-2016

This was the tenth Sunday after Pentecost, and our songs were gathered with the intent of re-tuning ourselves to enter into the work of God. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

How Great Thou Art

Fall Afresh by Jeremy Riddle

Lord, I Need You by Matt Maher

Hope by Jameson McGregor

There's A Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

How Great Thou Art: We sang this song to begin our time together with a confession of God's greatness.  After another in a series of weeks marked by pain and uncertainty, it is easy to lose sight of all the glory in the world.  In voicing these words, we began to tune ourselves to regain whatever has been lost through navigating the complexity of the world this summer.

Fall Afresh: We sang this song to confess our need for the Spirit to transform us into people who are working together with God in God's reconciliation project.  We are prone to growing so familiar with our own ideas of who God is and what God is like that we functionally fall asleep to the movement of God.  Thus, we continually need a wake-up call from the Spirit, breathing new life into our dry bones.

Lord, I Need You:  We have had many reminders over the past few weeks that we are a part of several systems of violence.  Our complicity in these systems is at odds with our being formed in the way of Christ, and is thus sin.  This song speaks to personal struggles against sin, and allows us to rehearse turning to God for help rather than only attempting to self-regulate ourselves out of destructive behavior. 

Hope:  For the past several weeks, the offering song has been used to give voice to lament.  This week, it seemed fitting to give voice to hope.  Lament and hope are directly connected to one another, and may well be considered two sides of the same coin.  Lament is but noise without the hope of change, and hope is only a facade if it is not born from lamentable circumstances.  This song picks up on the image in John 1 of God setting a light in the darkness that the darkness did not overcome.  We might see this as a statement about the Incarnation in general, the Crucifixion in particular, or maybe the Story of God and creation as a whole.  This image gives us hope because it acknowledges darkness and almost axiomatically establishes that the darkness will not overcome the light.  

There's A Wideness in God's Mercy: We sang this song to look over our shoulder at last week's songs.  This is what was said of There's a Wideness in God's Mercy then: We sang this song to meditate on God's mercy.  For the past  several weeks, we have been bombarded with news of various horrific kinds of violence.  Humans are particularly skilled at finding ways to reject the divine image in one another.  With what I know of God from Scripture, my assumption is that God is deeply grieved by our violence, and if we had one of the prophets writing today, God would most certainly talk at length about how God wanted to be rid of us.  And rightfully so.  But God's not going to rid Godself of us.  Because that's not who God is.  The Noah story shows us this quite clearly.  God wanted to start over, and started that process, then realized how terrible that was--how deeply painful that was--and resolved never to do that again.  Instead, God decided to fix things from the inside, entering into the story to suffer our violence and conquer it with love.  That conquering is accomplished, but still unfolding.  It's horribly slow for my taste, but it's there nonetheless.  

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 7-17-2016

This was the ninth Sunday after Pentecost, and our songs were gathered with the weight of systemic violence in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

There by Jameson McGregor

There's A Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

Up On A Mountain by The Welcome Wagon

Burn It Down by Jameson McGregor

Be Thou My Vision

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

There: We sang this song to begin our time together proclaiming God's transcendence.  God was there before there was anything (including the kind of pain that we've been living in the midst of in a particularly acute way for the past several weeks), God is there now, and God will continue to be there after the last star burns out.  This song focuses on the fact that God stands above and beyond any source of pain or anxiety, and so there is always hope--God will not be toppled by even the most terrible evils we experience in the world.  This transcendence is a part of what we can say about God, but it is thankfully not the only thing we can say.  If it were, this transcendence would mean little to nothing for us in the midst of the world's chaos.  In truth, God has chosen to be involved in what God has made, interacting with creation with the most absolute of loves.  This love from-without is the source of our hope.

There's A Wideness in God's Mercy: We sang this song to meditate on God's mercy.  For the past  several weeks, we have been bombarded with news of various horrific kinds of violence.  Humans are particularly skilled at finding ways to reject the divine image in one another.  With what I know of God from Scripture, my assumption is that God is deeply grieved by our violence, and if we had one of the prophets writing today, God would most certainly talk at length about how God wanted to be rid of us.  And rightfully so.  But God's not going to rid Godself of us.  Because that's not who God is.  The Noah story shows us this quite clearly.  God wanted to start over, and started that process, then realized how terrible that was--how deeply painful that was--and resolved never to do that again.  Instead, God decided to fix things from the inside, entering into the story to suffer our violence and conquer it with love.  That conquering is accomplished, but still unfolding.  It's horribly slow for my taste, but it's there nonetheless.  

Up On A Mountain:  We sang this song to contrast There, and to proclaim the work of Jesus.  Up On A Mountain contrasts There because it focuses on God's immanence.  God is not just "out there," removed from the weight of the violence of the world.  Instead, God came down low and entered our mess, experiencing anxiety, fear, betrayal, suffering and death.  And so, we aren't alone.  Jesus has shared our experiences, and has sent the Spirit to carry us through the best and worst parts of life.

Burn It Down: This song is a plea for the Spirit to shape us into people who can tear down systems that impede the hope of Christ.  These systems are legion--we could think of the rampant racism and xenophobia that we encounter so often through our TV's, phones, and laptops, or perhaps the ways that culture elevates the voices of particular kinds of people, while silencing the voices that have not been endowed with the privilege of assumed legitimacy, on and on.  Yesterday, Amy preached an incredibly brave and prophetic sermon on sexual violence.  When we talked about sexual violence during Lent, one of the driving themes was that the Church's silence on that issue in some way authorized the prevalence of sexual violence that plagues our culture, and that this silence was sin because it did not mirror in any way the response of Jesus to affronts on the dignity of a human person.  So we sang this song in order to petition the Spirit to shape our lives and words into firebombs that target the system of sexual violence that we are living in. 

Be Thou My Vision: We sang this song to close every liturgy during Lent, which was also when we were first wrestling with our place within a culture of sexual violence.  We sang Be Thou My Vision today in response to Amy's sermon and the Litany of Commitment we read together as a way of acknowledging that we rely on God to shape our imaginations to enact change within systems of violence.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 7-10-2016

This was the eighth Sunday after Pentecost, and our songs were gathered around the themes of lament and hope. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Rescue Is Coming by David Crowder* Band

Peace (Change Everything) by Jameson McGregor

Because He Lives by Bill and Gloria Gaither

For Those Tears I Died by Jameson McGregor (adapted from M. Stevens)

All Creatures of Our God and King

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here's one from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Rescue Is Coming: In the wake of a week full of pain, anger, and longing, we began our time together proclaiming that this present darkness is not the final word.  Now is a time when we need to address systemic issues of racism, police brutality (both racially motivated and not), cultural addictions to violence, and overall division, but we placed those conversation on hold as we entered worship to reorient ourselves toward our only Hope.

Peace (Change Everything):  As we have been moving through these difficult weeks, we have been singing Advent songs, because Advent is the time where we look around, see how dark the world is, and voice our longing for a Light.  We sang Change Everything again this week because it afforded us the chance to voice our longing for change, and to turn to God as the catalyst of this change.  

Because He Lives:  We sang this song with a couple of things in mind: First, the claims made in this song are true—Jesus is alive in a way that is more  than real.  And so, we as individuals can stake our hope in One who is outside of ourselves and be held there.  Second, Jesus is alive in another way in the people of Christ, those who have been and are being formed by His story and Spirit.  Because of this, the people of Christ are partnered with Jesus in actively reconciling the world to God.  But we need to know that sometimes that might mean doing things.

Furthermore,  we need to know that the true claims to hope that Because He Lives makes are quite difficult for some people to claim for themselves.  Namely, the “calm assurance” that our children can face uncertain days because He lives.  If we listen to the cries of the black community in America, there is a decided lack of this "calm assurance," because their life experience says otherwise.  And, yes, there is a way in which the "calm assurance" of Because He Lives is rooted in what Jesus' resurrection means broadly for the whole of human history, but if the church is the body of Christ, and this body is living and breathing in the present, that should bring some measure of hope to the present as well. 

So we sang this as a proclamation of something true, but also as a challenge to ourselves to take seriously the fact that being the people of Christ demands something about the way we move about in the world, and that when we see that life experience makes it difficult for someone to claim the same hope that we do, we should make it our purpose to do something about that.

For Those Tears I Died:  I came across this hymn text a couple of months ago, and started to reimagine it.  After a few weeks of this "reimagining," I had stripped the text down to about 4 lines, knowing that they contained an important truth, but not knowing how to structure the rest of the song.  In the wake of the attack on the LGBT community in Orlando, I started keeping track of things that I was praying as I expressed anger, confusion, and ultimately self-loathing for my own complicity in systems of hate by not being very vocal in combatting them.  The song continued to take shape this past week as I felt more of those same emotions.  This song isn't finished, and I don't know what it will look like when it is.  At the moment, it's part existential despair, part personal confession, and part proclamation of hope.  Probably the most personal side of it for me is the line in the second verse, "I've made an idol out of comfort, praised by keeping my mouth shut//but now it's found a thirst for blood."  I'm what you might call incredibly talented at not speaking out against something I know to be wrong when I feel I can slip by unscathed if I keep my head down.  This is fundamentally unchristian, and I am attempting to lean into repenting of it.

All Creatures of Our God and King: We sang this song to stand alongside creatures of all kinds in acknowledging God as our creator, sustainer, and the One who is  reconciling all things to Godself, knowing that the Story that God is weaving is far from over.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 7-3-2016

This was the seventh Sunday after Pentecost, and our songs were gathered around the theme of transformation. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Come Thou Fount

Oceans (Where Feet May Fail) by Hillsong United

Peace (Change Everything) by Jameson McGregor

I Love You by Mike Robinson

Wayward Ones by The Gladsome Light

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Come Thou Fount: We sang this song to begin with a plea that God would transform us into people who know how to find God in the world around us and how to express ourselves when this happens--the second stanza is the heart of the first reason (raising an "Ebenezer" is depicting solidifying the realization that God has been with you), and the second reason is embodied especially in these lines: "tune my heart to sing thy Grace" and "teach me some melodious sonnet sung by flaming tongues above." 

Oceans: We sang this song to ask God to make us into people who are willing to traverse uncertainty and seek God in the midst of that uncertainty.

Peace (Change Everything): Like the Advent song we sang a couple of weeks ago in the wake of the attack on the LGBT community in Orlando, we sang this in response to the attacks in Istanbul, Bangladesh, and Baghdad.  Advent is a time where we look around and see how dark the world is and how very badly it needs a light, but there are moments all throughout the year that remind us of this darkness without our having to take the time to think specifically about it.  We sang this song to make a plea to God to transform the world around us.  Since this song has not been recorded, here is a video of it if you would like to listen again:

I Love You: This is a song written by Mike Robinson, a professor at UMHB and a beloved part of the ubc community.  The lyrics depict the narrative of the last supper, and Mike shared it with us this week because we were participating in communion.

Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things.  First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this.  Second, Christ has given Himself for us despite our brokenness.  We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 6-19-2016

This was the fifth Sunday after Pentecost, and our songs were gathered around the theme of perseverance (this is the best one-word way I could think of to describe this--more broadly, they were gathered around the theme of clinging to faith in the midst of difficulty). Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Amazing Grace by Citizens & Saints

Fall Afresh by Jeremy Riddle

Noise by Jameson McGregor

Hope (There Will Come A Light) by Jameson McGregor

Future/Past by John Mark McMillan

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Amazing Grace: We sang this song to proclaim the saving work of God in our lives, and to cite the ways that God has been faithful to us in our stories as cause to expect God to continue to be faithful to us.  

Fall Afresh: We sang this song to ask the Spirit to continually renew our zeal for life, to provide strength to press on through woundedness, and to transform our hearts of stone into hearts that are attuned to the movement of God.

Noise: This song traces out the gap between what is it to be God and what it is to be us, acknowledges our tendency to make broken promises of our lives, and rejoices in the reality that God continually works to repair us.  As no recorded version of this song exists, you can listen to it again through this video:

Hope (There Will Come A Light): Before I played this song, I read the following preface:

In December, we enter the season of Advent, where we sort of put blinders on and enter a drama where Jesus has not yet come.  During this time, we look around and see how dark the world is and how it very badly needs a Light.  And then on Christmas, God puts a light in the darkness.  Over the next few months, we watch the Light grow, until, on Good Friday, the Light is snuffed out.  But then, on Easter, the Light comes blazing back onto the scene, and we see that things are changed. And they are. But sometimes this feels less true than others.  Like the Kingdom of Heaven, this change is already and not-yet. It’s as if Hope has been planted in the midst of creation.  Paul gives us an image of history being “pregnant”—Hope is among us and it is growing. And so, we wait.  We wait for a Birth.  And now the story has circled back on itself, hasn’t it?  In a minute, I’m going to play an Advent song called “Hope,” because we carry the longing of Advent with us all the time, and—even through grit teeth—it is fitting to proclaim that a Light will come into this darkness.

Future/Past:  We sang this song to look over our shoulder at last week's songs.  This is what we said about Future/Past then: This song presents the grandeur of God and underscores the fact that God has called us "friends." Taken with the idea of God's faithfulness, this song bolsters our assurance that God is with us in the same way in the midst of the joy and the pain of life, and that, just as our past has been marked by this, we can remain confident that our future will be as well.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 6-12-2016

This was the fourth Sunday after Pentecost, and our songs were gathered with the faithfullness of God in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

House of God Forever by Jon Foreman

Wandering by Jameson McGregor

Future/Past by John Mark McMillan

Fever by Jameson McGregor

There's A Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here's one from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

House of God Forever:  We sang this song to express Psalm 23 together.  If we're honest, this psalm calls us to make claims about the way we trust God that are more intense than we can honestly say most of the time.  Because of this, House of God Forever pulls us along--asks us to claim a greater reliance on the faithfulness of God than we might carry at this moment, but this draws us closer to living in that place.

Wandering: This song contrasts God's faithfulness to us with our own attempts at being faithful that usually have a self-serving bend to them.  The point isn't to beat ourselves up about this--I think this is something we should combat and of which we must be aware, but it is also part of what it is to be human.  Instead, the point is to recognize that God's faithfulness to us is unwavering.  Because of this, we can fail again and again and still be pulled along on the Way of Christ.

Future/Past:  This song presents the grandeur of God and underscores the fact that God has called us "friends." Taken with the idea of God's faithfulness, this song bolsters our assurance that God is with us in the same way in the midst of the joy and the pain of life, and that, just as our past has been marked by this, we can remain confident that our future will be as well.

Fever: This song makes a metaphor of the relationship between fever and virus.  Fevers are used to restore order to the body when it has been invaded by a virus/bacteria--to move toward regaining the status quo.  Fever imagines a scenario in which the thing that we keep pulling ourselves back to is in fact the worse thing, and it seeks out a wilder pathogen to overtake the attempts to restore "order." As for what this means, I think that's pretty pliable--you could probably find your own meaning in it.

There's A Wideness in God's Mercy: We sang this song to look over our shoulder at last week's songs.  This is what we said about There's A Wideness in God's Mercy then: This is a song that deals directly with mercy in the context of Jesus, but that is far from the only lens we can use when looking at There's A Wideness in God's Mercy.  For instance, the Spirit's transformative presence with us is no doubt an example of the wideness of God's mercy.  As we traverse the varied terrain of our day-to-day, we do so in cooperation with the Spirit, who is shaping us and our stories into something new, beyond the measure of our minds.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 6-5-2016

This was the third Sunday after Pentecost, and our songs were once again gathered with the Holy Spirit in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

There's A Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

Your Love Is Strong by Jon Foreman

Come Thou Fount 

Pulse by Jameson McGregor

Wayward Ones by The Gladsome Light

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here's one from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

There's A Wideness in God's Mercy: This is a song that deals directly with mercy in the context of Jesus, but that is far from the only lens we can use when looking at There's A Wideness in God's Mercy.  For instance, the Spirit's transformative presence with us is no doubt an example of the wideness of God's mercy.  As we traverse the varied terrain of our day-to-day, we do so in cooperation with the Spirit, who is shaping us and our stories into something new, beyond the measure of our minds.

Your Love Is Strong: We sang this song to look over our shoulder at last week's songs. This is what we said about Your Love Is Strong last week: This song is essentially a meditation on the Lord's Prayer, with an emphasis on being transformed into Kingdom people.  When we think of transformation, we think of the Spirit--the Spirit is the One who does the weaving of our stories, who dwells in our interconnectivity and helps to shape us.  We sang this song to ask the Spirit to continue this work.

Come Thou Fount: We sang this song to continue to call upon the Spirit to tune us into instruments of grace, and to call upon ourselves to look back on the way God has been faithful to us as we face new challenges in life (that's the Ebenezer part--and I know I've talked about this before, but "Ebenezer" is maybe the most obscure word that we sing on a regular basis.  The idea of an Ebenezer calls back to a moment in 1 Samuel 7 when Samuel makes a monument to embody the recollection of God's showing up in the midst of an impossible situation.)

Pulse:  This is a new song.  As some of you know, I'm recording an album right now called Wild One.  A couple of months ago I started to get kind of burnt out picking apart those 10 songs for the recording process, so I decided to start writing another album to keep my wheels moving.  I've been writing about the Holy Spirit and the Church (and I struggle to speak meaningfully about one without the other).  Pulse embraces the Holy Spirit as the Spirit of Life--the breath that we see breathed into Adam in the garden story--and leans into the idea that it is possible to experience life without fully embracing the breadth of what this means (and in turn tries to remedy that disconnect).  Namely, that we are all connected--we are children of the Living God.  We have a tendency to be selective with whom we count as "us."  And we are amazingly skilled at creating various kinds of "them." But this seems to be undermined by the Holy Spirit.  This song is a petition for the Spirit to make this interconnectivity real to us and to teach us how to love one another as we should.

Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things.  First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this.  Second, Christ has given Himself for us despite our brokenness.  We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 5-29-2016

This was the second Sunday after Pentecost, and our songs were once again gathered with the Holy Spirit in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me atjamie@ubcwaco.org.

Songs:

Just A Closer Walk With Thee

Your Love Is Strong by Jon Foreman

Be Thou My Vision

Pain by Jameson McGregor

Holy, Holy, Holy

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Just A Closer Walk With Thee: In the wake of Pentecost, we have entered into ordinary time, though the Holy Spirit is still very much on our minds.  Just A Closer Walk With Thee is in many ways a song we might think of as being directed toward Jesus, but the Spirit is our connection to the Person of Jesus.  Furthermore, the presence of the Spirit among us is central to our following Jesus, as Jesus lived by the Spirit.  With this in mind, the core petition of this song is addressed to Jesus, but seeks the guidance of the Spirit.

Your Love Is Strong: This song is essentially a meditation on the Lord's Prayer, with an emphasis on being transformed into Kingdom people.  When we think of transformation, we think of the Spirit--the Spirit is the One who does the weaving of our stories, who dwells in our interconnectivity and helps to shape us.  We sang this song to ask the Spirit to continue this work.

Be Thou My Vision:  As with the previous two songs, we sang this song as a petition to the Spirit to shape us into people whose vision, wisdom, security, and hope, are all oriented toward the love of God.  

Pain: I had the opportunity to share this song a couple of months ago at a service at Baylor that was a Space for Lament for people affected by sexual violence.  This song is ultimately about how damaging pain of all kinds can be when buried inside of us, and how God is able and willing to take the weight of our pain.  By that, I don't mean take it away, though I believe in time God moves us forward on a journey of healing (however that might look), but instead I mean that God takes the weight upon Godself--that we don't carry it alone.  The second verse of the song has a more particular kind of pain in view: that of keeping secrets, of sweeping our own evils under the rug and carrying around the guilt.  God carries this pain with us as well, and enacts healing for these situations.  Last week, the institution of Baylor began the process of reckoning with its own evils.  And this reckoning has the potential to be painful in many different ways.  But God is in the midst of this kind of pain too.  I recently put out a video of this song, which you can watch here:

Holy, Holy, Holy: We sang this song to look over our shoulder at our songs from two weeks ago (I was out of town last week).  This is what we said about Holy, Holy, Holy then: We sang this song to begin our time together singing about the particularity of God, as we acknowledge the Spirit as part of the Trinity for the first time in the Christian calendar this year.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 5-15-2016

This Sunday was Pentecost, the day that we remember the coming of the Holy Spirit as the initiator of the movement we now call the Church.  Our songs were gathered with this in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Holy, Holy, Holy

How Great Thou Art

Fall Afresh by Jeremy Riddle

Burn It Down by Jameson McGregor

All Creatures of Our God and King

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here's one from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Holy, Holy, Holy: We sang this song to begin our time together singing about the particularity of God, as we acknowledge the Spirit as part of the Trinity for the first time in the Christian calendar this year.

How Great Thou Art: We sang this song to focus on our worship of God in three particular realms--God as Creator, God as Savior, and God as Transformational Presence (Spirit).  In order to do this, we rewrote the third stanza to read, "O Breath of Life, when I recall the moment//You came down low to dwell within our midst//You tune my eyes to see Your subtle movement//You draw us forth, to all begin again."  The structure of this song is essentially three passes at pointing out something about God, and responding with praise, the ever-simple "How great Thou art."  When we sing this together, we are simultaneously expressing praise in that moment, and also learning the proper response to coming into contact with the activity of God.

Fall Afresh: We sang this song to engage the Pentecost moment through considering our own need for the presence of the Spirit among us, as we battle against our own complacency regarding our own transformation into people who are more like Jesus.

Burn It Down: In the book of Acts, as soon as the Spirit comes on the scene, walls begin to fall down.  Walls that took the form of communication barriers, government powers, particular understandings of the story of God and the people of God, prejudices the fledgling church had absorbed from their culture, and probably many more.  This kind of destructive behavior is also evident in the prophets of the Old Testament.  By the power of the Spirit, they were able to speak truth to power--words that amounted to firebombs against the walls that had been built to make the religious feel pious, good, and safe, while simultaneously keeping the poor and cast out from engaging the Hope of God.  It is safe to say that the Spirit is in the habit of knocking down walls that would hinder the Gospel and keep Hope from people who need it most.  This song is about this "destructive" side of the Spirit, and ultimately petitions the Spirit to fold us in to this rebellion and use us to knock down these walls.

All Creatures of Our God and King:  We sang this song to look over our shoulder at last week's songs.  This is what we said about All Creatures of Our God and King then: We sang this song to champion Easter hope for all of creation--God did not just do something significant for humanity in the life, death, and resurrection of Jesus.  Everything is different now, and the whole of creation is now headed for its own Resurrection.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 5-8-2016

This was the seventh week of Easter.  Our songs were gathered with this in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Death in His Grave by John Mark McMillan

All Creatures of Our God and King

Because He Lives by Bill and Gloria Gaither

Noise by Jameson McGregor

Come Thou Fount

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here are a couple from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Death in His Grave: We sang this song to begin our final Easter service with a song from our first Easter service, singing about Jesus' victory over the powers of Death.  During Advent, we collectively voiced a longing that God would "change everything." And at Christmas, we rejoiced because God in fact did change everything--God's becoming God-with-us created a new kind of future for the world--one marked by hope.  On Good Friday, this Hope was shattered and put in the ground.  Then on Easter, we saw two things: (1) God was willing to go much farther than we thought to set things right with us--the gap between what it is to be God and and what it is to be human is unimaginably large, but then, having crossed that, God stepped further still into death, and then broke through this full-stop into a new kind of life; and (2) we saw God's real answer to our Advent longing.  In light of Jesus' victory over death, everything changed.  I've posted a video for Death in His Grave before, so I'm not going to do that again.  As I was writing this, though, and thinking about Easter as a further answer to the longing of Advent, I thought about the final Advent song we sang in December.  Here's the video for that song:

All Creatures of Our God and King:  We sang this song to champion Easter hope for all of creation--God did not just do something significant for humanity in the life, death, and resurrection of Jesus.  Everything is different now, and the whole of creation is now headed for its own Resurrection.

Because He Lives: We sang this song to focus once again on one way the Resurrection can affect our daily lives--namely, by giving us the drive to get out of bed, knowing that life is not meaningless and that God is working to put every broken piece back in place.

Noise: This song does a couple of things: (1) It narrates the history of the divine-human relationship, underscoring God's choice to be God-for-us even when we don't do a good job at being us-for-God.  (2) It emphasizes the fact that, because of the Incarnation and the suffering that Jesus endured, God understands our pain--both physical and emotional--and does not count our acknowledging or responding to our pain against us.  The significance of this song in light of Easter is that God's human experience feeds back into God's faithfulness, and though we time and again will become "broken promises," God has given us the Promise of Easter--this emphatic Yes to life.

Come Thou Fount: We sang this song to look over our shoulder at last week's songs, and also to look ahead to Pentecost next week.  This is what we said about Come Thou Fount last week: In some ways, we might think of Easter as a season in which we devote particular attention to a story about God showing up in the midst of tragedy and transforming despair into Hope.  Come Thou Fount is a petition for the Spirit to transform our minds and hearts into faculties that know how to worship God in light of who God has been for us.  The second stanza talks about raising an Eben-ezer, which we can think of as a monument to God's faithfulness--a reminder of God's showing up for us in the past.  With this in mind, we might think of Easter as a whole as an Eben-ezer we have grafted into our Calendar.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 5-1-2016

This was the sixth week of Easter (and Easter itself for the Orthodox Church).  Our songs were gathered with this in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Wandering by Jameson McGregor

Come Thou Fount

Fall Afresh by Jeremy Riddle

Heart With No Companion by Leonard Cohen

Wayward Ones by The Gladsome Light

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Wandering: This song is about the relentless faithfulness of God to God's commitment to be God-for-us by being God-with-us.  Throughout the Easter season, we are compelled to think seriously about the significance of Jesus' death and resurrection for the divine-human relationship.  A main theme of Wandering is our tendency to observe the movement of God and, intentionally or not, attempt to harness this movement for our own purposes.  It is no secret that Jesus' followers were fully expecting His mission to culminate in an overthrow of Roman oppression and the inauguration of the Kingdom of God.  They saw what Jesus was doing, thought it meant temporal power and deliverance, and thus thought the crucifixion was the end of the story for them--that they had gotten up their hopes for nothing.  On the other side of things, the Jewish authorities that partnered with the Romans to have Jesus eliminated thought they were protecting the movement of God as they understood it, and sought to protect what they held to be the Truth in killing Him.  In the Resurrection, we see Jesus return not with vengeance, but with love--an emphatic yes to God's creation.  God chose to be God-for-us even when we chose to be against God.  Why?  Because that's what God is like.  God is telling a story with us, but God is fully willing and able to cut back against our attempts to derail the story.

Come Thou Fount: In some ways, we might think of Easter as a season in which we devote particular attention to a story about God showing up in the midst of tragedy and transforming despair into Hope.  Come Thou Fount is a petition for the Spirit to transform our minds and hearts into faculties that know how to worship God in light of who God has been for us.  The second stanza talks about raising an Eben-ezer, which we can think of as a monument to God's faithfulness--a reminder of God's showing up for us in the past.  With this in mind, we might think of Easter as a whole as an Eben-ezer we have grafted into our Calendar.

Fall Afresh: We sang this song to look over our shoulder at last week's songs.  This is what we said about Fall Afresh then: We sang this song as a prayer, voicing together our desire for the Spirit to be with us.  In this season, it is fitting to dwell on the fact that the Spirit of the Living God is in fact the catalyst of the Resurrection.  The Spirit is the power that makes dead things live again. In the call to worship yesterday, we acknowledged that there are many kinds of death that we experience, not all of which involve our hearts ceasing to beat.  Change of all kinds is a kind of death, and change seems to be a fundamental part of life.  The Spirit is constantly working to raise us to life--life to the fullest.  So, as many of us are on the edge of new seasons of life (either because we are moving to new schools, new jobs, or because we are ready to break out of a rut we've been in), we sang this song to petition the Spirit to raise us up once again.

Heart With No Companion: This song imagines a greeting that stretches across the gulf of sorrow and despair to give hope to those who feel worthless, aimless, or simply stuck.  This greeting is comprise of a love that is "vast and shattered," which we might imagine as the kind of love that Jesus embodied; the kind of love that Jesus carried through torture, crucifixion, and death.  On Easter, I finished our series of Lent readings by talking about Jesus as a Mirror that was shattered and put back together, but with a series of cracks.  This image might help think about this song--the kind of misery that Jesus experienced allows His love to greet us in the midst of our own struggles.  Furthermore, if the shattering of Jesus means Hope for creation, this love carries with it the Hope of meaning into the most stalled-out circumstances we might face.  

Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things.  First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this.  Second, Christ has given Himself for us despite our brokenness.  We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 4-24-2016

This was both the fifth week of Easter in the life of the Church calendar, and Mister Rogers Sunday in the life of ubc.  Mister Rogers Sunday is a commissioning service of sorts where we celebrate our graduates and commission them to continue to seek to be the presence of Christ to the people they encounter as they move on to new things.  Our songs were gathered with both of these themes in mind. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, you can find recordings from Sunday morning of a few of them, and below the recordings, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Future/Past by John Mark McMillan

Fall Afresh by Jeremy Riddle

Be Thou My Vision

There by Jameson McGregor

There's A Wideness in God's Mercy by Jameson McGregor (adapted from F. Faber)

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  These recordings aren't what you would call polished--sometimes guitars are out of tune, sometimes the vocals are off--but they are records of moments we've shared together.  Here are a couple from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Future/Past: This song contrasts God's power, might, and status as Wholly Other, with the notion that God has chosen to be God-for-us and God-with-us.  The Resurrection really seals the deal for both of these ideas, and ultimately intertwines them.  And so, as we live out our stories and grapple with our own anxieties in the face of change or struggle, we can lean into the idea that, though God transcends our problems, God is taking them on with us, carrying with God the same Lordship that places God above our problems in the first place.

Fall Afresh: We sang this song as a prayer, voicing together our desire for the Spirit to be with us.  In this season, it is fitting to dwell on the fact that the Spirit of the Living God is in fact the catalyst of the Resurrection.  The Spirit is the power that makes dead things live again. In the call to worship yesterday, we acknowledged that there are many kinds of death that we experience, not all of which involve our hearts ceasing to beat.  Change of all kinds is a kind of death, and change seems to be a fundamental part of life.  The Spirit is constantly working to raise us to life--life to the fullest.  So, as many of us are on the edge of new seasons of life (either because we are moving to new schools, new jobs, or because we are ready to break out of a rut we've been in), we sang this song to petition the Spirit to raise us up once again.

Be Thou My Vision: We sang this song to close this season of life in our community by seeking guidance in the next season.  As a community who seeks to be formed in the way of Christ, to embrace beauty, and to live on mission, we are in constant need of God to be our vision, wisdom, security, and hope, because we are in constant need of transformation. 

There: This song is an exercise in perspective, noting that God was present before any of our problems, is present in the midst of them, and will be present long after they all fade away.  It is also a personal confession of the unhealthy relationship I've built with anxiety, which is somewhere between addiction and idolatry (if there's even a difference in this case).  

There's A Wideness in God's Mercy: We sang this song to look over our shoulder at last week's songs.  This is what we said about There's a Wideness in God's Mercy then: We sang this song because it is during Easter that we see just how wide God's mercy is.  We are well-versed at finding reasons why God's mercy would not apply to us, and we are perhaps even more well-versed at finding reasons why God's mercy would not apply to them.  This song shines a light at the lies at the heart of these assumption--God is wilder than we ever dreamed, and God's mercy is no different. 

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 4-10-2016

This was the third week of Easter, and our songs were gathered around that theme. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

Heart Won't Stop by John Mark McMillan

Amazing Grace by Citizens and Saints

All the Poor and Powerless by All Sons and Daughters

When Death Came Calling by Jameson McGregor

All Creatures of our God and King

Doxology

Recordings:

From time to time, we'll post live recordings of the songs from Sunday morning.  Here are a couple from this week.

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

Heart Won't Stop: This song echoes Psalm 139's sentiment that there is no place we can go to escape God; that God keeps choosing to be God for us, regardless of whether or not we are good at being people of God.  That idea is huge from the vantage point of the Psalms, but it seems like it is wholly overshadowed in light of the Resurrection--it's not just that God is God for us regardless of where we hang our hats, but rather that God has chosen to be God with us in the midst of our darkest moments, and rewrote the cycle of life and death to make this known to us.  If you've never heard the original version of this song, you should go look it up.  In the meantime, here is a video of John Mark McMillan performing it....with Stand By Me mashed in their too...

Amazing Grace: While we spent the season of Lent thinking about sin, we will spend the season of Easter thinking about grace.  This song by no means captures the fullness of what might be said of the grace revealed in the death and Resurrection of Jesus, but it's a good start.  I think most poignantly, it doesn't just speak to the effect of grace upon our salvation--that gets a lot of airtime (and, yeah, it's important)--but instead speaks to the way grace affects our lives here and now.  In choosing to be God for us by being God-with-us, God has given us a vantage point from which we can truly be alive:  the end of the human life is no longer death but resurrection.  The Resurrection wove a new kind of beauty into life that we can now embrace.  This is a grace to us.  

All the Poor and Powerless: The Resurrection is good news in too many ways to count.  Some look to the Resurrection at the moment in Jesus' life where His divinity was finally made clear, which makes sense, since even the disciples seemed to be on the fence up until the end.  So we might think of the Resurrection as the moment where all the things that people knew to be true of Jesus became things they knew to be true of God in a new way.  One of those things was that Jesus stood with the people on the bottom rung of society--with the ones other people didn't care for or think were good enough in general.  The Resurrection made it clear that this wasn't just some guy who, from some vantage points, was also worthy of very little attention, but instead was God.  That's the kind of thing you'd want to shout from a mountain--that God stands with the afflicted, the unimportant, the cast-off and unloved--and that's why we sang this song.

When Death Came Calling: This is a song about grief in light of the Resurrection.  We often hear associated with Easter that death has lost it's sting.  That's always been perplexing to me, and I didn't have to live very much life to realize that the most literal meaning of that phrase was simply not true.  Death stings.  Sometimes it's a sting that causes debilitating emotional pain.  Sometimes it's a sting that seems to carry a toxin that leaves your entire body and mind numb.  For a while, I thought I was a bad Christian for wearing grief heavily, but then I finally acquired some context to put behind the famous "Jesus wept" verse--Jesus wept because He was grieving, and He was grieving because death is grief-worthy.  And I think this is still true after the Resurrection.  The sting that death lost is a sting of a different kind, perhaps better labeled "finality."  It's a sting that we will find missing later, replaced by the beauty of creation reborn.

All Creatures of Our God and King: We sang this song to look over our shoulder at last week's songs.  This is what we said about All Creatures of Our God and King then: We sang this song to begin our time together proclaiming that the resurrection of Jesus affected more than just our personal salvation--it was an emphatic yes to life, to creation as a whole.  Now every inch of the cosmos sings a song not just proclaiming that it was created by God, but that God entered into it, took on the cycle of life and death that permeates the whole of creation, and ultimately broke through that cycle and crowned it with Resurrection.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM

Setlist 4-3-2016

This was the second week of Easter, and our songs were gathered around that theme. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at jamie@ubcwaco.org.

Songs:

All Creatures of our God and King

Murdered Son by John Mark McMillan

Because He Lives

There's A Wideness In God's Mercy by Jameson McGregor (adapted from Frederick Faber)

Wayward Ones by The Gladsome Light

Doxology

How They Fit In:

There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme. 

All Creatures of Our God and King: We sang this song to begin our time together proclaiming that the resurrection of Jesus affected more than just our personal salvation--it was an emphatic yes to life, to creation as a whole.  Now every inch of the cosmos sings a song not just proclaiming that it was created by God, but that God entered into it, took on the cycle of life and death that permeates the whole of creation, and ultimately broke through that cycle and crowned it with Resurrection.

Murdered Son: We sang this song for a couple of reasons.  One was to reflect on what God did to and for us in the death and resurrection of Jesus.  The verses talk about God setting us up above all the stars, raising us high above our station, making us "friends" of God, hiding our faults, and breaking us out of the cycle of dust and grave.  Another reason we sang this song was to think what it took for God to do this.  The chorus praises God's "murdered son."  This language can be jarring, but it is accurate.  It serves as a reminder that what God did for us in Jesus was not simply an act of kindness done at no expense.  Instead, it meant God becoming human and enduring suffering, the one who is powerful taking on the position of one who is on the bottom end of a power differential--it meant God entering into everything God is pulling us out of.

Because He Lives:  We sang this song to look over our shoulder at last week's songs.  This is what we said about Because He Lives then: We sang this song to remind ourselves that the Resurrection has an effect on our daily lives--that it is relevant for our own outlook on life.  Everything is different because of this moment.  Everything has changed.  Every story now gets woven into a greater story, and tragedies don't triumph in the end.

There's A Wideness in God's Mercy: This song was written in 1854 by Frederick Faber.  I encountered a quote from it recently that I couldn't get of my head, so I looked it up.  I suppose we don't always choose the things that hijack out brains, so I don't know that I can offer a thorough reason for why I chose to adapt it.  I kept reading this hymn text, and eventually read it with a guitar in hand.  Shortly after, I started chopping it up.  What I ended up with is a fairly small percentage of the total song, but you can google the whole thing if you'd like.  For me, this song shines a light on the scope of the relationship between God's love and God's mercy, as revealed in the death and resurrection of Jesus, and then causes us to shine a light on ourselves and the ways we try to put stipulations on the love of God--the line of thinking that leaves us doubting whether or not God could really love us, or sometimes, them.

Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things.  First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this.  Second, Christ has given Himself for us despite our brokenness.  We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.

Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.

-JM